Thursday, October 15, 2009

Lifetones - Quivering Mass (Holy Cheever Church Records CS)

A lot of folks've probably been wondering what happened to ye old Ear-Conditioned Nightmare of late, and rightly so. Been straight bogged down for weeks now, and anytime I get a moment I have to take it for the noggin rather than the bloggin. Not to mention a new acquisition, namely this old 82 soviet synth which is oh-so-scrumptious and pleasing to knobify. But fear not, the blog ain't dead and it won't be so long as I have something to say about it. Which gets me to the point I suppose. The review.

Truth be told I've been playing this tape so much lately it hardly feels new anymore. And in the grand scheme of Holy Cheever it actually isn't, as it's way back at catalog number 028 (up to 033 now, which by the way is a free download that'll only be up till the 20th of this month, so go get it quick at the new address--). Still though, it wasn't so long ago that I got this number in the mail, and it's a nuthouse. First off, it's over an hour long, which is lengthy by most any standard. But it's also a new group consisting of Matt Endahl and Riggs, with Endahl on Fender Rhodes and Riggs on the trust axe. Sounds like it has potential to be a real jam out right? Of course not. The thing is called Quivering Mass for chist's sake. Starts out in this low murmur rumble with high tones coming in and going in a totally mesmerized and totally zonked manner. And yes, I use the term zonked to describe a lot of stuff. But this is ZONKED. Like Sunn 0))) without the Sunn or the 0))), just hollow volumes beckoning the heat of noon. Really amazing stuff that slides out and into more weirdo territory right quick. Can't believe that's an electric piano going there... totally whacked sounds that are subtle and dry and fresh as fungus. Each little pocket they hit is a total vision, pittering life forms (man, tough to avoid the title of the work in the description ain't it?) just futzing about in the slime. Amazing.

Best part is there's an hour of it, so you can really commit to the vision. They hit some high points here and there, staying still and bouncing between one another, but the transitions are where it really gets kooky and fried. Come hither sounds of the future. The world is ready to unite. Like the soundtrack to the pre-post-2012 mindstate, and it's right as acid rain. Grab it, for my money it's one of the best things Cheever's done yet. Which of course is saying A LOT.

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